Gitarre & Bass 4/2023 Digital

story

• Laura Cox: Freischwimmerin
• Matteo Mancuso: Jazz Masterclass ‚Giant Steps‘
• Yasi Hofer: Between The Lines
• Chuck Berry: Die 15 besten Berry-Coverversionen
• Doyle Wolfgang von Frankenstein: (Muskel-)Masse vs. Punkrock-Klasse
• Top Gear Check: Johnny Griparic
• Uriah Heep & Mick Box: Alte Schule
• R.I.P. Gary Rossington
• Unbekannte Helden: Poison Ivy
• Yoursite: Leser-Bands des Monats
• Meilenstein 1988: Mudhoney – Superfuzz Bigmuff
• Chitarre e vino: Edizione 2023

test

gitarre // bass

• Hagstrom Ltd. Edition Ultra Max Special, E-Gitarren
• C.GIG Guitars Atlas CT, E-Gitarre
• Fender Gold Foil Telecaster EB CAB, E-Gitarre
• Maybach Teleman T61 Caddy Blue Aged & VegaTrem VT2, E-Gitarre
• Reverend Air Sonic W, E-Gitarre
• Martin SC 13-E, A-Gitarre
• Charvel Frank Bello Signature Pro-Mod So-Cal Bass PJ IV, E-Bass
• Ibanez EHB1005F, E-Bass
• G&L CLF Research L-1000, E-Bass

amp // box // fx // zubehör

• Ibanez Pentatone Preamp
• Two notes ReVolt Guitar, Gitarren-Preamp
• GR Guitar AT G112A & GR G112A, Gitarren-Boxen
• Darkglass Alpha Omega 900, Bass-Amp
• Genzler Crash Box 4, Bass-Overdrive
• Zoom G2X Four, Modeling & Multi-FX
• Pickup LesLee

workshop

• Julia‘s Bass Lab – Chuck Rainey
• Blues Bootcamp: Jazzing Up The Blues
• Guitar Basics! Crashkurs Intervalle 2
• Instant Shredding: Sound like Eric Gales
• Guitar Guru: Epiphone & Höfner
• The Art Of Bass! Walking Bass 1
• Amp Lounge: Fender Brownface Bassman
• Vintage Guitar Stories! 1972 Gibson ES-330 Custom
• Hot Rod Mod – T.C. Electronic G Major Reperatur
• Japan Vintage: 1993 Aria Archtop Pro II FA-03

rubrik

• Editorial
• News
• CD Reviews
• Lernen & Lesen
• Leserbriefe
• Live-Tipps
• Anzeigenindex
• Vertriebsindex
• Impressum
• Mitmachkarte
• Vorschau & Newsletter
• Give Away